The Zazen of the Open Source ILS

One of the more challenging ideas to embrace in Zen Buddhism is that of zazen, a meditative practice that is about living moment to moment and the idea that life itself can be lived in the now.  I sometimes call it “living in the space you are in” in contrast to thinking about the space you want to be in or could be in.  In some ways this is embodied by the Japanese rock garden.  Yes, you could move to a new house or you could transform where you live into a perfect space for your mind but in some ways that control is an illusion.  Change is inherent to the rock garden as you interact with it and adapt it.  The practice although never called that is touched upon strongly in a book by Josh Waitzkin called The Art of Learning.

It’s a rainy day today and I found myself thinking back to ALA Midwinter (while putting off writing a blog post about the Evergreen conference this year!). It was a good midwinter and filled with conversations about ILSes. Every event I went to, outside every hall people seemed to be talking about their ILS and their vendor, usually in terms that weren’t positive. Long ago I once had someone theorize to me that everyone hates their ILS in the sense that in old comedies everyone hates their mother in law. In fact I like my mother in law and I’ve known plenty of folks who like their ILS and support company or vendor.  Once upon a time there were at least two “good guy” vendors in the public library ILS market.  Now, maybe one?  And that one is a topic of debate.

It was at MidWinter that I had a conversation that made me think of living in the space I’m in, in relation to open source.   Someone in the long cavernous no man’s land that RDA events was at the end of was asking me to compare Evergreen to a few other other specific ILSes, proprietary ILSes.  When I was a systems librarian at a public library, using a proprietary ILS, I kept track of press announcements from vendors zealously.  In a sense I was always in the market.  Now, I don’t.

Using an open source ILS for the last eight years changed that for me.   I can talk about what we want to add to acquisitions in Evergreen or what we want to provide in search options or some tweak we want to change in authorities.  But I honestly don’t know how those compare to Polaris, or TLC or Symphony.  I no longer look outside my own space because I can change what I’m in.   And do.  So I know what I want and what the community wants.  The open source world looks at satisfying it’s users because the change is driven by users.  This is hard for the proprietary driven world to understand because it is driven by market and the market is weighted very differently.  It only needs to satisfy existing users to the degree that it keeps them from changing products and is otherwise driven by the desire to convert non-users and expand market share.

In a sense the open source user is living in their own Japanese rock garden and although changing code is a less intuitive process than planting trees and raking sand, it’s still shaping the environment and living within it.

Copyright Necromancy

By necromancy I don’t mean the raising of shambling undead as Dungeons and Dragons uses the word but rather the older meaning of the word – the talking to the dead though in this case to see the past rather than future. Contemporary copyright has caught works that would have once entered the public domain in an ongoing stasis. They have become ghosts echoing a past time that become less and less relevant only time. And like a gifted medium they have gatekeepers.

The Center for the Study of the Public Domain at Duke University published a report on things that would have entered the public domain on Jan 1st 2017 in the United States. It’s worth reading:

These would have come into the public domain if not for retroactive copyright. The author points out many great examples of why this is harmful for society but I want to talk just a little about the very idea of copyright and why I think this trend of lengthening it over and over is toxic. I’m not anti-copyright. I actually believe that we should have a strong copyright. People should be able to be rewarded for their labors if it proves to be of value. Also, as a believer in Creative Commons and Open Source, both rely on strong copyright so that rights holders can determine how their works are used. Copyright is a relatively modern concept. Historically most societies didn’t assume that anyone could own something that was immaterial. We do need this concept but we need to normalize it in ways that establish sane values that promote the intent of copyright, not pervert it. The reason copyright was created was to reward creators while balancing the rights of society to re-use intellectual works. In trying to find the right solution to a modern problem we’ve applied so high a dosage of vaccine that we might kill the patient.

The Duke report mentions that cultural and academic harm this causes and the value of being able to freely use and access these documents. All of this is true. But, one place the report skims over is the value in being able to create new works. The report mentions a cross linked digital library of Alexandria but imagine anyone being able to take Sartre’s Critique de la Raison Dailectque and make their own notated edition. Perhaps a hundred college professors do it and that becomes available to researchers. A professor could make a customized edition for their classes at a fraction of the cost of buying a text book.

Imagine a young film maker able to take To Kill A Mockingbird and lift the story and plot to make a modern version set in the Middle East among their conflicts.

Imagine a DJ creating a techno remix of Dr. Seuss books with music.

Imagine anyone able to create a Youtube video of Pscyho with your own commentary track.

It goes on and on. And yes, works get lost in the cracks. In some works the copyright is in doubt. Somewhere rights holders can’t be found. And these are lost.

I know it seems scary and anti-intuitive that something of value that can sell perennially to go into the public domain but that was the very intent of copyright limits. Surely, by now the value of John Updike writing Rabbit, Run is established. If he never saw another dime from it wouldn’t have still been worth his writing? Wouldn’t it still have been worth filming Ocean’s 11?

I think I worry about something different from the Center From the Study of the Public Domain. They write about the unfair monetization of past works and harm lack of use creates. And those are fair concerns. But I’m also a librarian. I know how people look at intellectual works and access them. I know that society tends to have it’s own tolerances and how existing works battle the new for attention.

I grew up with classic stories retold and finding new life. I grew up to recreations of classic works from Shakespeare to Bram Stoker, freely reinvented and reinterpreted. And in many cases these found new life and relevance. New interpretations make the original of new interest. I worry this won’t be true for our children. I worry that classics will give way to ghosts that seem dated and irrelevant unless someone is willing to pay for the rights. We will live in a culture where only the new is relevant and the past inaccessible with fewer cultural milestones that create a common tapestry of stories.

I don’t think society will be improved where something is only of value if it’s hash tag is trending. And those will only be new works. And if that happens copyright will have killed itself and no one will benefit.

Rogue One

I haven’t seen Rogue One yet, I’m not one of the people that can stay up until 2 am to see a movie. I start yawning by 9 pm. But I did take the day off work today to see it, or more specifically take the family to see it. I’m excited because it’s new Star Wars and I was the kid that wanted to be a Jedi and because my daughters are excited to see it. They enjoyed the Force Awakens but the story was kind of blah so it didn’t sink in deeply with them. What they did enjoy was seeing a female lead in a Star Wars movie. I remember discussing with them the vitriol that was the response to there being a female lead. With six previous Star Wars movies and only two major female characters there wasn’t a lot of gender balance for a franchise that had a setting where women and men seemed to be of equal footing. Of those two major characters both are largely defined by their relationships to men and both more often than not played the role of “the victim.”

So, yes, Rey was nice to see even if it was in a mediocre film but I accept that it’s main purpose was to setup Episode VIII. Still, let’s not forget that Episode VII was mainly male characters – one storm trooper, one rebel pilot, one smuggler and one Sith-wannabe. I’ll exclude Chewie since he’s not human so he doesn’t count to the gender imbalance this time. But that’s all the other major characters in the film, all male and all have significant screen time. A woman being the lead matters but it wasn’t a female dominated movie. But, from the reactions of many you would think the movie was all women cutting off men’s genitalia with light sabers. (I shouldn’t have gone there, the imagery isn’t kind.)

These are some of the choice comments from the Youtube trailer that I ran into on Tumblr this morning. I’m excluding some variants on “women can’t survive in space” that I think were intentional trolls – otherwise our science education is even worse off than I thought.

“I’m not sexist but Star Wars is about men, men fighting to save the universe. If women can do the same thing then what’s the point? I won’t be seeing this. If you need me I’ll be watching anime.”

Well, where do we start with this shining example of “not sexist”? I’ll address the question of what is the point. The point is to tell a story and if the story doesn’t dictate the gender then we should look at letting everyone be represented. And if the story does dictate a gender we should pick stories that aren’t all about one part of the human race. Please don’t watch anime though, you might be disappointed if you watch enough of it. Yes, there is plenty of fan service and male power fantasy but the biggest movie in Japan this year is anime about male and female body swapping and looking at gender roles.

“Liberal PC Nonsense in Space.”

When did liberal start meaning not sexist? If you want liberal in space read China Mieville’s Embassytown. Now, he’s a pinko commie liberal. And it’s an awesome book. As for being politically correct, let me go on record on saying this is something I’m really bad at. I watch for political correctness because I have a pretty crude sense of humor and while I have no shame at this I also watch myself because I don’t want to cause undue offense to people. Once upon a time I would have said people just have thin skins but in this day and age of electronic death threats, fire bombings, SWATings and more a lot of people feel legitimately targeted. And I don’t want to contribute to anyone feeling unsafe for the sake of my humor. That’s called being a jerk. So, I’ve become pretty good at identifying political correctness so that I can decide whether to observe or reject it. I usually default to observing it in public but then may or not in private as I need to set an example for my children and while I want them to be considerate I don’t want them to be unthinking. That’s how we get Nazis being called the Alt-Right. Yeah, that’s the legacy of excessive political correctness. Anyway, this is a long way around of saying I see no political correctness in the Rogue One trailer. But remember that jerk thing I mentioned. I see it in the comments.

“It will be full of gays next.”

OK. Bring it. I’m a child of 70s sci fi where I devoured books with premises like “what if we had to interact with species with three sexes” or “what if genders changed from a virus” and all kinds of other things. Bring it on. Use alien races as analogies. Let other cultures be totally different from ours. Let sexuality vary as much as religion and dress styles do. And let young gay/bi/trans/asexual/whatever boys/girls/whatever see themselves in the heroes and villains of a galaxy far, far away.

“Women should be in the kitchen, not saving the Galaxy. Know your place.”

I’m going to clue you into a secret here since I have a feeling broad life experiences isn’t your forte dear Youtube commenter. There are women who choose a traditional American gender role. They will cook dinner every night and clean the house. You may meet one, you may marry one. If you do, don’t forget they are doing it because they choose that role. They may like that role. You can debate what degree of nature versus nurture came to that point in her decision but there is no legitimate debate that it is not her place any more than she makes it her place. Free will works that way regardless of nature or nurture. And another woman may make her place serving in the military. One may serve in the military and then become a housewife. One may become a housewife and then make her place putting her foot up your ass. Place Foot Ass You. Why? Why would you ask me, ask her. I’m just giving you fair warning. Women choosing roles of service does not make them door mats. Guess what, we all serve in one way or another. It shouldn’t make any of us door mats whether you serve at a reference desk, in the kitchen, on a warship or in some other way. We’re all part of the big human machine.

When I saw the announcement for Rogue One I was excited for a Star Wars movie. Now I’m excited to be taking my wife and daughters a to a female led Star Wars movie. I hope it’s a good movie but I want my daughters to see heroes that they identify with just as I identified with Luke Skywalker. The fact that it will piss off some troglodytes is just all the better.

Halloween Games for Library Programs

A few months ago an old colleague of mine asked me about games for her library to integrate into a Halloween program. After some back and forth I recommended five games. These games were chosen to fit in her (slight) budget, not require too steep learning curve, not have too complicated a setup, accommodate families, be resilient to repeated use (and survive a piece or two getting lost along the way) and yet satisfy a desire for contemporary games. The list that resulted from so many requirements is more a work of compromises than a platonic ideal. But, I think it works.

So, first up, games that she could get for ~ $100 and re-use for later programs. Without a firm cost limit I went with three commercial and two non-commercial options. The three box games have an MSRP of about $125 plus a few additional costs but with online discounts or partnering with a local retailer you can get down much closer to $100, or just drop one of the boxed games off the list.

It’s far too late for most libraries to plan for programs for this Halloween but I figured it would be easier to clean up the list I made for her now then remember to write it up in six months. When that time comes I do intend to update this list for next year’s planning.  This list isn’t going to be a revelation to those who follow table top games already but hopefully it can be a jumping off point for library game programs that are looking for a quick entry point. I recommend setting up and playing all of these once or twice before you do them with a program. For the boxed games, setup can be one of the most intimidating parts so don’t expect patrons to be involved with that though volunteers who have learned the rules in advance can be great to sit and play with the patrons which is why I focused on more cooperative games. Plus, cooperative games are great at creating a bonding experience, win or lose. Most of these have tutorials on YouTube you can use to help save time if you find the rules books cryptic.

Betrayal at the House on the HillBetrayl at House on the Hill

Premise: A group of people wander into this creepy house and based on a random event one discovers they are a bad guy and tries to kill the others.

Halloween Themes:  This game was an auto include due to it dripping with classic horror movie themes – the creepy house, werewolves, ghosts, demons, and so on. And it’s fun, just plain fun.

Anything Objectionable: I’m presuming that if you’re doing Halloween events that you’re prepared for any objections to references to the supernatural. Nonetheless, although not vulgar, there are some end game scenarios that references things like demons more strongly than others. Know your community as always. There is implied gore but it’s not not strongly presented.

Target Audience: Tweens and up.

MSRP: $40 and there is a lot of value in the box for that

Library Tie Ins: Nearly any horror writer or film is an indirect connection but some more than others, especially the “in the creepy house overnight” trope.

Game Style: This is a tile laying co-operative game with a defector. The characters and lots of options make it a kind of role playing game in a box. The laying of house tiles as you explore creates randomness as does card draws and dice rolling. This is very much an American style game that places style over strategy. A game mechanic causes a random member of your party to be revealed as the traitor (up until then that player is also unaware of it) and then select one of many possible end games scenarios. How the survivors and defector are supposed to handle that is a secret to each side detailed in separate booklets.

Accessibility: Most of the symbols are easily visible and clearly laid out. Text is decently sized and easy to read. The math and logic of the game is pretty easy for various cognitive levels. Some visual disabilities will struggle with text and part recognition but not much.

Learning the Game: At first glance the game can appear complicated however it’s simpler than it may seem so don’t let it scare you.

Patron Interaction: I’m not usually a big fan of defector style games but if there was a premise it was appropriate for, this is it. It is still mostly a cooperative game and one where even losing can be fun.

Overall Opinion:  If there was a perfect game for Halloween this would be it. Even at $50 I would have recommended it but at $40 it’s one of the cheapest modern board games with lots of replay you can get.


Different published versions are called things like Werewolf By Night and Ultimate Werewolf, sometimes with variant roles and rules.

Premise: With day and night cycles werewolves work in silence to kill villagers and during the day villagers try to find the werewolves in their midst.

Halloween Themes: Werewolves hunting villages in the night. It would only be more Halloween if it had candy corn in it and someone somewhere probably has rules for that.

Anything Objectionable: Some groups like to play up the heavy drama and gore of it but really the tone is set by the players so for a library program, keep it light.

Target Audience: All. Because it’s very rules lite this is the broadest of games. Even little kids can play this game.

Cost: Variable ~ $10 / Free

Library Tie Ins: Anything with werewolves. Except Twilight. Because vampire as don’t sparkle! The werewolves were decent in it though. They’re guilty by association however so no Twilight.

Game Style: This is a party game and as such it’s cornerstone is social interaction and ability to handle large groups. The focus is on having fun through social interaction with minimal preparation and effort on the part of someone organizing it. That combined with free sounds like the perfect library program doesn’t it?

Accessibility: This is a perfect ten in terms of accessibility. All you have to be able to do is listen to a description of roles and see one card and in a pinch you can even be told what that is. A small amount of visual ability is needed but I’ve played this with the legally (but not completely) blind and deaf with no issues.

Learning the Game: Less than five minutes.

Patron Interaction: This game is all about interaction. The key is to not take it too seriously. When villagers are eliminated I like to give them things to do in the background like becoming a greek chorus of howling wolves. Keeping the eliminated players involved is the biggest challenge.

More Information: Werewolf is a game that goes by a number of names with decks printed by different people that you can usually buy for around $10. It was invented and has been played for free for decades now with various hacks. I’ve played it on the fly with nothing more than scraps of paper and hastily written ‘villager’ or ‘werewolf’ written on them. I’m going to give you a link to a page by a fellow named Max and this page lists history, some great information about the game and a free to print version of some nice cards with graphics if you want them:

Next ….

Elder SignElder Sign

Premise: Using dice to represent the actions of heroic investigators the players try to stop cultists and monsters from bringing the elder gods back into the world.

Halloween Themes: Other worldly monsters, cultists, Elder Gods.

Anything Objectionable: Stay away from implying that the elder gods are somehow reflective of a real religion. Bring in the themes of the mythology as literature.

Target Audience: Tweens and up.

MSRP: $35

Library Tie Ins: Cthulhu Mythos stories from Lovecraft to the approximately 17,492 self published Cthulhu ebooks on Amazon.

Game Style: Cooperative dice game.

Accessibility: The main meat of the game is using dice to resolve challenges on cards and while there is descriptive text the dice and cards have easy to recognize symbols. The logic behind the dice prioritization is fairly easy to grok. The midnight doom cards are probably the biggest challenge for someone with limited vision.

Learning the Game: The game has a few awkward rules so it’s worth reading through the rule book a few times. It also has a mobile app that’s great for learning the game. Elder Sign has the most “gotcha” rules of any on this list.

Patron Interaction: As a cooperative game it encourages discussion and coordinated play.

Summation: I felt a moral obligation to include a Lovecraft mythos game in the list with it’s pop culture popularity. Elder Sign isn’t my favorite, I actually like Eldritch Horror more because I like it’s RPG elements but it has a higher price point and for diversity there is an audience that loves dice games. And a lot of people do love Elder Sign but if you have a bit more money available in your budget and your audience doesn’t include those who love dice games, I would consider Eldritch Horror instead.



Premise: 19th century psychics band together to try to get visions from a ghost and solve a murder mystery. Only one of the players knows who did what but they play the ghost and can’t talk to the other players.

Halloween Themes: Ghost Stories

Anything Objectionable: If spiritualism offends people this may be an issue but I assume that in that case Halloween may be an unhappy time for them in general.

Target Audience: Tweens and up.

MSRP: $50

Library Tie Ins: Ghost stories and murder mysteries. Think The Lovely Bones.

Game Style: Cooperative but a single information isolated player.

Accessibility: Like other games Mysterium has done a good job of using large clearly recognizable symbols but some colors may be issues for some kinds of color blindness.

Learning the Game: Mysterium is a fairly straight forward game. Most of the complicated elements are in the setup stage. I definitely recommend playing through two or three games before doing it with patrons.

Patron Interaction: A fully cooperative game with communication challenges can make this a great social experience. It’s like cooperative Clue with visions from ghosts. It’s awesome.

Soundtrack: The company that created Mysterium has a sound track available for download. Many of these games would benefit from a good soundtrack of course.

Dread RPGDread

Premise: An RPG with a wooden block tower instead of dice, leading to an increasingly feeling of dread as the tower gets less stable. When you cause it to fall, you’re doomed.

Halloween Themes: Whatever you make them.

Anything Objectionable: Only if you create trouble for yourself. I know there are still anti-RPG people out there who think RPGs are tied to Satanism but fortunately most of those are obsessed with D&D and their numbers have dwindled to somewhere less than moon landing deniers and more than flat earthers. Remember, while causing the tower to fall over is described as how a character dies you can change this to something less violent to just remove them from the story.

Target Audience: The default audience of Dread is more mature but thanks to it being an RPG you can modify the style of the stories and your presentation to make it any age appropriate and change the tone from high … well, dread, to whatever you want.

Cost: Free / $12 / $24 + s/h | + ~$10 for the “tower of dread”, The link below is where you’d an get the free PDF of the rules, buy a full PDF with scenarios and more information for $12 or order a $24 copy of the book.  Free is good.

About Dread the Game

Mechanics: One important thing to get out of the way related to cost is the “tower of dread.” Unlike games that use dice or cards for randomness Dread uses a tower of wooden blocks that a Jenga tower happens to work perfectly for (though there are non-Jenga trademarked ones that work also). There are chances you might already have one around for other library programs so that may or may not be a cost. One nice thing is that it lowers the barrier of entry in terms of teaching people and pretty much guarantees people stay in the story until the tower starts getting depleted.

Library Tie Ins: Whatever you make them.

Game Style: This is an RPG. However, Dread channels you to a storytelling heavy environment as it has very few mechanics. I encourage RPG storytellers to really involve the players and throw scenarios back to them with opportunities like “how do you want this to resolve” and then you can let them pull from the tower if necessary.

Accessibility: There might be some reading to do but with someone very visually impaired you could do away with character sheets. The bigger problem for someone with motor impairments or very low vision will be pulling from the tower.

Learning the Game: You can get everything you need to know in four pages of light reading and teach it to others in about thirty seconds.

Patron Interaction: The good and bad of an RPG is that there isn’t a mechanical structure constraining them. In a library program I would put a disclaimer in the setup that there is a certain social contract and for this purpose they are cooperating.

Staying Under $100, aka Dropping a Game

If one game is to be dropped based on cost I recommend Mysterium. It does have a lot of cards to keep track of and has one of the higher price points. However, it is crazy stylistic and fun. However, if the goal is to keep the highest quality games and one needs to be dropped I recommend dropping Elder Sign but you may enjoy dice games more than I do.

Honorable Mention – King of Tokyo

King of Tokyo is a great kaiju themed game that lends itself to silliness and fun tossing dice around. It’s very accessible and has few barriers to entry including logical planning that children can do. It’s very thematic. It’s an American style open information board game so older or more experienced players can help others and a wide variety of kinds of players can easily play together. It even has a Halloween specific expansion. Unfortunately, it also needs the Power Up expansion to really be complete and recently a second edition of the game came out with less cartoony graphics and without the Power Up expansion (yet). If you can get the first edition with the expansion it’s great for library programs. There is also a variant called King of New York but it includes unnecessary additional rules that I think hurt it for teaching in a programming setting (plus the monsters aren’t as iconic so not quite as cool).  If you’re willing to play without the Power Up Expansion this is definitely one to consider.

Further Playing 

There are so many Halloween appropriate games it’s impossible to list them all.

If you like tile laying and classic horror movie vibes the Castle Ravenloft Board Game is very cool. It has a ton of setup though and is priced at about $65. I think the rules are also awkward at times so be prepared to play it a few times and improvise occasionally. Dead of Winter is a great survival zombie game with a defector that can also be played fully cooperative. A Touch of Evil is a competitive game with some wonky rules but thematically perfect for Halloween and with some rule hacking is good. I’ve not played either yet but Fury of Dracula and Letters From Whitechapel are both defector games that look good too and are well reviewed in the board game community. As both are sitting on my shelf downstairs they are ones I’m likely to add to a future list.

Just on the Cthulhian game front: I previously noted I like Eldritch Horror for an RPG in a box. Mansions of Madness 2nd edition is a very cool game but pricey. Arkham Horror provides a good big box experience but it pricey and time consuming with a huge number of parts. Unspeakable Words is a good Cthulhian word game. I can think of six more Cthulhu card games that are decent and more RPGs than that. Honestly that could be a post in it’s own right, good Cthulhian games for library programs.

A Partial History of SCLENDS

A few weeks ago Equinox Software published a blog post I wrote about Evergreen in 2009. My first draft and my final draft were very different. Draft by draft I stripped out the history of how SCLENDS started, not because I didn’t want to tell it but because in the larger Evergreen context it wasn’t what I wanted to say. The very fact that some remained though and that I did start with so much tells me something. It is a story I want to tell and while that post wasn’t the place, this is. Why? Honestly during that first year we did a lot of “make it work and fix it later.” Document? If there’s time. It’s easy to be critical of that approach but we had tight deadlines and if it hadn’t been done the way it was it might never have happened. But now I have a little time to write it and want to do so while my memory is clear, at least of the elements that stand out in 2009.

I’m not going to claim this is a complete history. Beyond the fallibility of memory I doubt I know the whole story and it’s naturally biased towards the events I was present for. SCLENDS was started by many people, library directors, circ managers, systems librarians and more. I worked with most of them but some only tangentially. No single person was present for every conversation and no person could know the whole story. And since I’ve admitted that this will be an incomplete telling I will also offer that I’m going to try to keep it brief. The story begins properly with the development of writing in ancient Mesopotamia and Egypt … just kidding.

In 2008 I was the Systems Librarian in Florence County, South Carolina. The library’s director, Ray McBride, and I had been deeply involved in the process of re-evaluating our technology plan. One thing we were not concerned about was our ILS. We were very happy Horizon users and had assumed that we would upgrade to Horizon 8 when it was released. It had already been delayed but why would we consider other options? Going out for an RFP is a process to be avoided like an invasive unnecessary medical procedure. Plus, we were happy with Horizon, it was user friendly, it fit our needs and was stable. Sure, it had gotten a little long in the tooth but the upgrade would give it the refresh it needed.

Then one day I was reading through my daily mail and there was a correspondence from Sirsi-Dynix. Horizon 8, Rome, was being canceled. Instead they would take the modern code base of their other product and merge it with the user friendliness of Horizon and like tunes being played together it would be Symphony. It was the kind of over the top marketing speak that made it clear they were trying to make users feel positive about news they knew we would be unhappy with. They would have been right about the unhappy part.

Fast forward and we had a meeting. I had compiled a list of possible ILSes we could upgrade to. Polaris was a strong contender. We seriously looked at Symphony, hoping for the potential of an easy migration. There were others we dismissed due to expense or lack of features. There might have been another we considered that I can’t remember now. And I threw Evergreen onto the stack for consideration.

Why did I suggest Evergreen? Florence was an almost pure Windows server environment and this was a radical departure. I didn’t try to convert the Florence environment to Linux despite my preferences because with the staff limitations the library had and applications they had invested in running within a Windows environment, Microsoft made sense. Migrating to a mission critical application on Linux was a big departure. But, when I looked at the growth of open source, what I saw happening in the Evergreen community and my own opinions about the relationship between open source and library philosophies I was of the conviction that we should consider it. Not go to it, just consider it. Frankly, with my time limitations an easy upgrade to Symphony sounded pretty good to me.

We formed a committee of public service staff and administrators. We invited in representatives from companies to talk about their ILSes. Evergreen was open source so I distributed a fact sheet. We had reps from Polaris and SirsiDynix come in. We talked to other libraries. One library referred to recent updates to Symphony in …. unflattering terms and told us they were migrating to Polaris as soon as they could. Others were only slightly kinder. Polaris looked good but didn’t blow us away. A Sirsi representative made it clear that migrating to Symphony would not be like an upgrade and there was Horizon functionality that did not have one for one parity in Symphony.

Discussions were lively but in the end we selected an ILS: Evergreen. At that point Evergreen was about version 1.2 and rough. As we talked about it one theme came up again and again. We believed that whatever shortcomings Evergreen had at that point in mid 2008 that it was the right long term choice for us. We believed that in time it would match and exceed the other options we had to pick from. We also wanted a choice that we felt would last us ten years. I think it was Ray who said later that this would be the last ILS a library would ever need to migrate to. He may well be proven right, only time will tell.

It can be strange what you remember. It was a Thursday afternoon in November that I was having coffee with Ray. We were discussing Evergreen and forming our plans for the migration. One of my concerns was the long term support, especially if I left. We began discussing approaching an external company for support of our servers. That would give me more time to spend in the community and support regardless of staff turnover. As we looked we also began to discuss moving to remote hosting and increasingly liked the idea though it meant moving nearly all technical management external to the library, not something we had traditionally done. However, while we had put a lot of value on internal staff management of technology we also had increasing needs without an increasing budget so going with a remote hosting option made sense.

All of this, especially the budget concerns, was in my head when I threw out another idea. In one sense, this was the start of SCLENDS. What if we invited others a to join us to start a consortium and reduce costs? Ray liked the idea and threw the idea out to the South Carolina library director’s listserv. From there I become a peripheral part of the story until January. During that time in the periphery I was aware that the offer was expressed and interest returned. I was tasked with inviting a vendor who could run servers for us.  The clear option was Equinox, having been founded by the original developers and administrators of Evergreen at Georgia PINES.  Additionally, they had a lot of experience with startup consortiums so they would understand what we were embarking on.

December passed and January of 2009 arrived. I found myself in the large meeting room at the Florence Library. The interested libraries were arriving. Eleven libraries in total attended that meeting, interested in sharing costs and materials in a new consortium. That meeting brought together not only the directors but systems administrators and circulation managers of the libraries.

Eleven libraries were present and ten of them went on to form SCLENDS. Honestly, that day was a blur of faces and voices. One person whose name I don’t hear mentioned much in connection to SCLENDS is Catherine Buck-Morgan and it should be. Although I don’t know this for fact I suspect she is the one who created the name (had it been left to me I probably would have chosen something tree related). Additionally, she was a critical part of this happening. It may have happened without her involvement, it may not have, I don’t know. I do know it wouldn’t have happened as quickly and the way that it did.

Catherine was the head of IT at the State Library and closely involved with the distribution of LSTA money in the state. I later discovered that she had already written a concept paper for creating a resource sharing consortium in South Carolina. I don’t believe her idea was inherently based on open source but she did cite PINES as an example of what she was thinking of in terms of resource sharing. Her idea hadn’t been circulated outside the State Library but this had dovetailed with it perfectly. She was critical to getting us LSTA funding to kickstart the migrations.

SCLENDS would quickly move over to a self sufficient model independent of LSTA and State Library money but those funds paid for the first two years of hosting and many of the migration expenses over two fiscal years that included our first three waves of libraries. Partial funds also helped one later wave.

Honestly, I thought the idea would be a much tougher sell than it was. Eleven libraries attended that first meeting and I had imagined half would back out. In the end only one, Greenville County, chose not to join SCLENDS, objecting to sharing their videos with other libraries. Most of these discussions happened in January and early February. Then we got to work. In less than five months, driven in large part by a window of opportunity for grant monies, we went from a first meeting to go live.

Wave one went live in late May 2009 and consisted of the State Library itself, the Union County Library and Beaufort County Library System. I later went to the State Library myself for a tenure at the IT Director there where I ironically ended up working with the Union County director, Nancy Rosenwald. We had both taken positions there and had offices next to each other. I really enjoyed working with her both within SCLENDS and at the State Library. She also had good taste in tea. Beaufort had one of the most dramatic go live days when a construction crew cut their fiber line during the first day of go live. The story the local newspaper printed was essentially “Evergreen Fails” instead of “No Internet at Library.” I understand they later printed a retraction in small print in an obscure text box. Ray McBride after a stint as a museum director even took over the library system there proving that it is a very small world. I discovered that Beaufort had been investigating Evergreen in 2008 as well though not as far along nor with plans as definite as our’s in Florence.

Wave 2 was in October of 2009 and included Fairfield County, Dorchester County, Chesterfield County and Calhoun County. Frank Bruno of Dorchester I think I fought with as much as I agreed with. I remember his staff loved him because he supported them. He passed away last year and the world is poorer for losing him. Drusilla Carter left Chesterfield for Virginia where she helped start talks that may have led to their own Evergreen consortium and eventually landed in Conneticut where she is a part of Bibliomation, another Evergreen consortium. Kristen Simensen is still at the Calhoun County library and fighting the good fight. Sarah McMaster of Fairfield retired right around the same time I left South Carolina and her last SCLENDS meeting was, I believe, my last one as well. Aside from personally liking Sarah as a person, professionally, there isn’t a library in the country that would not benefit from having a copy of Sarah on staff.

Finally wave three went live in December and included my own library Florence. Shasta Brewer of the York County library became a close co-worker of mine over those months and became the leader of the early cataloging discussions. Faith Line of Anderson had pervious consortium start up experience and continued to long be a voice that people looked to leadership on the executive board. I believe it was Faith her that suggested the creation of the working groups to aid in the migration that eventually became the main functional staff bodies of the consortium. Even when there were later attempts to expand or redefine them the original ones persisted in being the main ones. In Florence, Ray served as the chair man of the board during the infancy of the consortium and after leaving came back to another SCLENDS library.

And there were others – other staff, other stories and later other libraries which brought yet more staff and stories. SCLENDS grew over the next few years. But those stories belong in other years. I may or may not write about those stories some day but I think they’re better documented so there is probably little need. Did I leave some things out? Sure. The Thanksgiving Day Massacre. The Networked Man Incident. The Impossible Script Mystery. Probably others as well, and they make for fun stories, but aren’t core to the history I think.

– Rogan


Evergreen Conference 2016 and After Thoughts

Once a year I let some time pass from the Evergreen Conference before I try to capture my thoughts about it.  Finding myself in a contemplative mood this evening I finally decided to do it.

What should I write about?  The NC Cardinal folks did a great job, it’s an insane amount of work and they tackled it well.  There were a lot of great presentations.  The hospitality staff running the meeting rooms at the Sheraton were wonderful.  The Resistance was the game of the conference and I had a great time playing it.  As a member of the response team I was heartened that I was unneeded.  Honestly, I’ve been to far larger library events where they should make a model of the balanced, relaxed environment and professionalism of the Evergreen conference.  I had a great time meeting new folks at breakfasts and dinners.

My SQL pre-conference workshop went well.  One person told me that I really helped them with things they had struggled with.  Another told me they used the notes from my workshop last year during the entire intervening year.  Being told things like that make all the work worth it.

My statistics heavy presentation went well and I think I kept everyone awake even though by the end I had created more questions than I had answered.  I showed some clear relationships and likelihood of predictability of data if we can get enough data sets to compare and account for the variables influencing holds.  I think the data also clearly shows the value of sharing materials in a consortium.  I have a dozen thoughts on this that will be their own blog post at some point.

The biggest thing that stands out thinking back on it though is the lack of surprises.  In the early days of the Evergreen Conference I never quite felt like I knew what to expect.  Enthusiasm and passion for Evergreen are as strong now as they were at the very first Evergreen Conference but things have changed.  In the early days of the conference we had presentations about things like “How We Made Evergreen Work For Us.”  I stood at the front of the room doing a few of those myself.  Those are long gone.  The experiences, the presentations they reflect, for lack of a better term, are matured.  So has Evergreen.  So has the community.

We don’t have everything figured out but we’re not trying to figure out if we can manage the challenges either.

This weighs heavily on my thoughts because I saw an article that implied that open source software isn’t as mature as proprietary solutions.  I feel like the assumptions implicit were numerous and would take more time than I have here to deconstruct but again, might be a good future blog post or article.

Obviously, the perception of non-users of the software and non-members of the community doesn’t sync up with that of those who do use it and are members of the community.  I’m not saying my feelings are universal but upon talking to others I know they are widely shared.  So, why?

I believe Evergreen falls into a common pattern of technologies maturing.  Indeed, open source itself does.  Open source is a development methodology but it’s also a shared platform of technologies that build upon each other in chaotic way more akin to natural selection than design.  Why can people who see the adoption and maturation patterns of something like DVD players can’t see that it isn’t that different for software?  I don’t know.  Much like my consortial data presentation I feel like I’m leaving this with more questions created than I’ve answered but maybe that’s a good sign that I’m on the right path.


Sound and Fury: Choosing an ILS

I published this article a few years ago in Computers in Libraries.  Nothing in it will be revelatory for most open source advocates but at the time I got a lot of feedback from librarians that it was useful.  CiL’s exclusive publication window is long since past and I just thought of it the other day so I thought I would re-publish it here.  Four years later I still think it’s spot on though I would probably make some changes to either shorten it more or make it longer with practical examples.  

Few decisions cause a library director to fret more than choosing a new integrated library system (ILS).  A new ILS is expensive in money, staff, time and stress no matter what you acquire.  Additionally, the wrong choice can bear costs in morale with lasting consequences.  Sometimes it is easy to identify which ILS is wrong for you – the contract costs are too high or maybe the features are not present that you need.  But, too often selecting the right one is like going to a car dealership where everyone speaks in tongues and the price lists are encrypted.

This is the result of a decade of market disruption.  Once upon a time proprietary ILS vendors were not optional.  Picking the right ILS was fraught with danger but not conceptually difficult.  Two changes in the market have had an enormous impact.  One of these, the growth of applications as services has added new options to the ILS selection process.  However, it has been the growth of open source ILSes, such as Koha and Evergreen that have made it necessary to rethink the selection process. 

Choosing between an open source and a proprietary solution is not a choice between peaches and pineapples.  Frequently, it is assumed that the two types of ILSes cannot be evaluated by the same criteria.  In fact, they can be.  Although they result from radically different economic models and divergent philosophies, in the end both are products and services that can be defined by a library’s needs and resources for the purposes of acquiring.  Four major criteria must be compared – product cost, features, communities and support.  Until open source disrupted the ILS market one could safely ignore communities.  The community of a proprietary ILS product might have added value but it was unlikely to either make or break the selection of an ILS.  Now community plays a much more important role but that will come after we look at the other criteria. 

Perhaps the first thing to dispel is the myth that open source should be discussed as the cheap option. The wise library administrator will realize that while many of the best things in life are free, your ILS isn’t going to be one of them.  Your cost won’t always be in legal currency.  I have met staff so traumatized by a bad migration that they are still visibly shaken years later by what is now a stable and reliable tool.  The library has paid an ongoing price in terms of post traumatic stress and that cost can be too high.  The best migration is pointless if the library’s experience falls apart within a year or two causing the whole thing to happen again – an experience I’ve seen happen with both open source and proprietary.

Each of the four criteria can have multiple metrics as well as multiple vectors to plot them on for both a migration and on going support.  In the end a data set for ILS selection should probably look more like a scatter chart than a report card. Now, can we simplify the process?  The answer is yes.  A detailed consideration would be worthy of it’s own book but by taking a few conservative shortcuts we can sketch a road map for your selection process in a period of time that isn’t comparable to earning another master’s degree.  For example, we will assume that you have the same vendor handle a migration as ongoing support.  This will not be a road map for the adventurous.  This is for those whose boards will require that all core functions work on the day of go live with minimal surprises.  And being conservative does not exclude you from an open source solution.

First, do a needs assessment.  This is the point at which many upgrade processes fail.  Rather than say something like “we need acquisitions” or “we need EDI” do use cases and narratives.  These should create an unambiguous picture of your needs.  Be careful to not attempt to recreate your existing ILS.  This is the point at which libraries realize how deeply embedded their current ILS is in their operations.  The documents you produce at this stage will be used extensively in working with vendors.  Be honest about what you need and what is merely on a wish list.

Now, find your vendors.  Don’t even worry about the ILS itself yet.  That may sound heretical in an ILS selection process but you need to safeguard from fixating on a single product and not evaluating honestly.  Fixate on your needs instead. Some vendors will support multiple ILSes and at this stage you are looking at who can provide support during a migration and ongoing.  Look at each vendor’s ability to support hardware, provide reliable access, and expertise with the ILS, their ability to find solutions, their training resources and expertise at setting a system up.  Do yourself a favor and look in depth at their experience with data migration – it is surprisingly hard to do well.  Do not let a vendor make vague promises about your data.    Looking at vendors before solutions may seem to be putting the cart before the horse but in the long run the greatest frustration most libraries have with an ILS doesn’t stem from software but support.  At this point you should also rank yourself as a vendor to see if you want to fill some of these support roles yourself.  Be honest about your ability to sustain support.  Many libraries begin projects that falter when key personnel leave because the skills are not part of the institution.

Many open source advocates argue that support is an inherent advantage of open source.  Some libraries delay leaving an ILS they are unsatisfied with the support of due to the stresses of migration.  If you use a vendor for support of an open source ILS they cannot lock you into the ILS itself.   Once your contract is up, if you leave a support vendor and extract your data you can import rather than migrate your data into a new system.  That ease of changing support vendors without changing software means that open source support companies have to compete on the basis of support because the threshold of difficulty for the library leaving is reduced by orders of magnitude.

The next step is to define what kind of support contract you want.  Do you want a local install with minimal support, do you want local with remote administration or perhaps an application as service where you sign a check and everything is just made to happen.  At this point evaluating yourself, as a potential vendor, will help you determine if you want to exclude yourself.  A product supported fully by a reputable vendor with skilled support staff is what you’re looking for.  Increasingly, the choice most libraries make is buying an application as service.  Vendors can take advantage of high capacity Internet connections and big virtualization systems to achieve economies of scale and offer remote hosted ILS services much cheaper than a library can locally offer it.  But, you may have factors, such as response times needed, which make a local installation more attractive.  Knowing what kind of support contract you need you can begin looking at the packages offered by the vendors and dramatically simplify the rest of the process.

Next, make two lists to look at support and features separately.  Vendors need their feet put to the fire to answer if they can fill your needs, which is why the use cases and narratives are critical.  Find out what the vendors’ uptime guarantees are, what their response times are and what tiers of support they offer.  For example, do they handle user interface level troubleshooting, will they do custom development to solve issues, or do they simply do systems administration?  What services do they offer during the migration?  Can they extract your old data?  Can they offer project management or training?  Will they offer documentation?  Now, some of these resources may originate in part or whole from a community but at this point worry about the availability through the vendor and their obligation to you to make it happen.  List the support levels of each vendor.  Go back to Buying An ILS 101, call references and do every other thing you would do with any big-ticket purchase.  

Parallel to support, review the ILSes themselves and isolate what software will be viable for you.  Make sure the vendors support those features and how you want to use them.  I’ve had clients spend a lot of time preparing to move to a system only to have their vendor say, “we don’t support serials” even though the ILS has the functionality.  Return to those use cases and narratives your staff developed earlier.  While sharing the use cases get a detailed analysis of what your narrative experience using the ILS(s) will be.  If they can build a comparative scaled system (number of patron, bib, copy records, etc..) for you to test against this is critical for applications as services.  More than one library has been burned by not seeing their data run at scale and not doing hands on features testing.

Think about future features too.  Will there be things you can’t anticipate or live without?  Will the new social network that everyone gushes over be critical two years from now?  Can the company you are working with provide you with development options?  If not, then open source may provide you with other kinds of development paths depending upon the community surrounding it.  What about wish list features?  Maybe like William Henley you want to be the captain of your own soul, or at least ILS.  Ask yourself if you want to make changes to the software and control those changes in the future.  If the answer is a firm yes, then you probably want an open source ILS and will need to allocate resources for development.  Don’t automatically discount a proprietary vendor but giving you that control is not usually a part of their business model.

It is also worth asking if you want to be part of a consortium.   Although really large resource sharing consortiums aren’t unique to open source they do seem to be more common with growths in the Evergreen community, like SCLENDS.  Materials sharing may or may not be on your agenda but adding to an existing installation has a lot of advantages including a built in local community to draw on.  

Since applications as services are delivered over Internet connections it is important to know the impact they will have on your connection.  Prolonged profiling will tell you when you may have interruptions in service and what delays in response time you may have.  Map obscure phrases like “ping times” and “drop rates” to real measurements like “it will take 2 seconds to check out an item.”  Often time, work flows can be adjusted to handle the increased latency from moving an ILS from inside your network to remote hosting but an unexpected impact like that can heavily damage morale.  This is a time to bring in heavy-duty network expertise and make sure they go over issues with a fine tooth comb.

Finally, we get to every library’s least favorite topic that isn’t protected by confidentiality laws: budgets.  Take those support options and the ILSes by the vendors you find acceptable and map them against how much you have to spend.  Any that you can’t afford, toss.  What you’re left with is ILSes that will work for you, companies you can trust to support you and an experience you can afford.  Be wary of rushing into support contracts for applications as services though.  Compare your costs across the lifespan of the longest contract you would have to sign – which should be three years.  A longer contract than that which locks you in should be a concern.  Make sure there are guarantees about maximum rate increases and reasonable rates for extracting data. 

Many an ILS has been chosen because the library administrator feels overwhelmed.  An implementation by the current ILS vendor can seem like an easy and safe choice. That is a poor assumption to make.  In the course of development or corporate acquisitions sometimes the upgrade path defined by a vendor is actually to a whole new product.  When that happens an upgrade is really a migration.  So, donÕt be deceived by the potential level of difficulty of the project.  Vendors like to define upgrade paths because they know many local governments provide clauses that allow organizations to upgrade without going through a competitive bid process.  ThatÕs also how you can get stuck doing two migrations in two years Ð something no one wants to do.

At this point you may be ready to select an ILS but you should take one more step.  So far we have flattened out the modern twists to ILS selection and used a model built on common sense.  The next criterion is not a leap into uncommon sense but it is much harder to define.  Evaluating community requires the administrator to understand how their staff as professionals will interact with a larger community rather than perform workflows.  Community is not an open source specific criteria though it might be more central to those ILSes.  The communities of proprietary ILSes can be hampered or facilitated by the corporation linked to the ILS.  Open source ILSes are built by their communities but may still have large corporate presences.  When evaluating those dynamics don’t frame the discussion as business versus community, as that’s a false comparison.  Evaluate the businesses as members of the community by their actions and consider that when developing a picture of the whole community.  

As you investigate vendors, how they interact with communities might tell you something about the character of the company.  Does it allow for independent user groups and conferences?  Are there emails lists and public forums?  Are there places to share and ask questions of others who use the ILS?  Some proprietary ILS vendors have encouraged these things and allowed outside repositories for documents.  In open source communities these are the norm.  Do not underestimate the value of community.  Not only do ILS communities help you make the most of one of the largest pieces of your infrastructure but also an active engaged community can be invaluable for the professional development of your staff.

Look at your resources and ask if you are the kind of organization that is ready to be part of a larger community or if you prefer to play alone on your own ball field.  Sometimes it is the larger libraries that are less prepared to be strong community members because they are accustomed to making decisions as an independent entity.   In the end you may choose to leave community out of your considerations for an ILS selection. However, at least some awareness of the larger community should always be there, to compare experiences with a vendor at the very least.  If you are using an open source ILS vendor and you successfully vetted them they should be involved in the community and may be a gateway to you becoming involved in the future if your priorities change.

At this point you have decided on the viability of a given ILS migration and looked at communities as added value.  Do you need a tiebreaker query?  If you do look at what your gut tells you.  The truth is that for all of our development as a species we still sometimes process information subconsciously and have gut instincts that lead us well. Do you have a philosophical leaning towards open source?  Does one vendor click as a partner? 
If you are willing to endure some hardships you can play fast and loose with this process.  Risks can pay off but it’s a luxury most boards don’t give their directors.  Open source succeeds where it is the best solution, not because of philosophical biases just as commercial software succeeds when it does so on quality, not on spreading fear, uncertainty and doubt about competition. As we look critically at these solutions, their vendors and communities we also have to look to the future.  Mark Twain said a sure way to look a fool is to try to predict the future.  But we need a sense of how the future of these ILSes will unfold since we will be tied to one once we make that selection.  Communities and companies can be filled with amazing people who can make all the difference, and they can fall apart.  Engagement with partners in companies and communities are where we will the future unfolding.  We need to remain aware of these dynamics – they are often why we end up moving to a new ILS after all.

Evergreen Conference 2015

Another annual conference has come and gone.  2015’s seemed short.  It wasn’t, in fact, but the time seemed to go quickly.   I admit I’m not as good a traveler as I once was.  Part is due to age, and part is routine.  I always wake up the same time of day.  Even daylight savings causes me difficulty adjusting.  Flying to a different coast and telling my body to adjust three hours is nearly impossible.  Then five days later I do it in reverse.  In between I’ve run nonstop for days on end.  I interact with people and burn every ounce of introvert energy I have.  I also run on little sleep, staying up late and getting up early.  And it’s worth it.  By the time I drag home I feel a bit like Toshira MIfune in Yojimbo, crawling exhausted and battered under the house hoping to just get away from everything and recuperate.

But, I do it each year because it’s worth it.  This year I taught a half day SQL workshop, I served on a panel welcoming new folks to the Evergreen community and I did a presentation on extending data sources in the reporter.  You can see all that from the conference schedule.  But it’s far more than that.  What I gain isn’t entries on a vita.  Even a few years ago attendees of my SQL and Reporter workshop would have been staff with very tech oriented roles.  The sessions were full with 20+ people in each and they were librarians.  Yes, tech curious but by no means systems administrators – traditional librarians who want to dig deeper and deeper into the power that Evergreen can provide.  I like to think I helped make some materials more accessible to them and the fact that this new power user class is growing in the community is a wonderful thing.  That additional depth and breadth in the community is a healthy thing.  It means that the idea of a tech curious librarian is increasingly irrelevant.  Every year that I use a phrase like that it sounds sillier and sillier and I’m happy for that.

And to paraphrase Billy Shakespeare, the community is the thing.   Attending the reporting interest group I talked about the need for new core reporting features with staff from all over the country (and world), about the need for existing and new libraries.  I think we need to bring back core reports into Evergreen as something that is expanded and tested with each version and it’s something I hope to work on this year, starting with going through the ones that were developed for 1.6 and updating them.  I talked with folks from Indiana about homebound services and something vaguely (but not quite) like plans were made. But talking is a starting point.  I talked about philosophies and their practical import.

Many bad jokes were made (by me) and a few good ones (not by me).  We compared war stories, planned for the future, discussed what ifs and shared discussions about the meaning of life, or at least governmental ethical obligations and spending regulations.  Talking to other consortiums is always illuminating.  So is playing board games late into the night (I won Stone Age but it was a bit unfair since most of the others hadn’t played it before).

I left after three years on the Oversight Board having completed a three year tour of duty.  Several folks expressed surprise at my tour ending.  Three years go quickly.  A few also asked why I didn’t run again.  The truth is that we instituted the format of rotating members off the board so that it wouldn’t become stagnant.  Our community is large and diverse.  I want to let new voices in.  I may run again in a year or two.  I may not be able to vote but I’m still around and I promised to come in and sit in on meetings when time allows.  I also agreed to remain on the merchandising committee and to assist the board with some special issues if they come up.

I’m also making some changes to the Hack-A-Way.  Submissions are now open for 2015 and will remain open until June 19th.  However, we are moving to an annual model for the Hack-A-Way.  With it now in it’s fourth year it’s become an institution.  As the kickstarter of it I still think of it as a scrappy little thing that has to prove itself so seeing folks planning far in advance and competing to host it surprises me.  But, it shouldn’t.  I myself have pointed out the good work that has come out of it each year.  So, a year wraps up and I head home to recuperate.

I had to leave before the developer update was done but I know the gist already.  The new staff client looks amazing.  I would be tempted to say that we should do a second (unusual) upgrade in 2015 but with so many other projects on our plate it’s probably not in our stars.  And maybe it’s best to just go over to the new staff client all at once anyway.  The new infrastructure also opens a lot of new doors I think.  But all that is left behind as I fly back to the east coast and just worry about getting gate to gate.

Today I returned to work, jet lagged and exhausted.  But in a way the conference lingers, it’s effects reverberate in strange frequencies and conversations will continue on in IRC and by email for weeks and months to come.  Really, we think of the conference as a distinct moment in time but it’s more of a peak of a sine wave that goes on and on.

Hack-A-Way 2014 Wrapup and Photos

I’ve uploaded my photos from the Hack-A-Way to a gallery on my site and (more importantly) the Evergreen community Flickr account.  See them along with somewhat lame commentary here:

You’ll notice in the photos a lot of people quietly typing.  There was discussion but the nature of a hackfest is a lot of collaboration and coding.  And this hackfest had coding, tutorials, documentation and more.  Indeed, many people came in with things to talk about, things to resolves, things to learn and things to work on together.  It was great.  One person said they wished we could do this several more times a year.  That’s probably not practical but the fact that it gave that feeling of being useful made me feel good.

It was a good but exhausting week.  I started with picking up materials the Saturday before and it just went on from there.  This isn’t to say that I did it all.  Other staff, at the York County Library, were critical to pulling this together and although their roles were sometimes invisible to participants, trust me when I say that everyone appreciates each of their efforts immensely.   For me it wrapped up just a few hours ago, a week later, dropping off a few colleagues at the airport and doing this blog entry.  

Several people commented on how productive it was and big progress was made on several fronts.

The Evergreen wiki page and linked collaborative Google Doc outline a bit of what happened.  I also tried to highlight some of the more offbeat moments on Twitter under the #egils and #hackaway14 hashtags.  Well, at least the PG rated events.  The exact language a few points may not have been copied verbatim.  I think that would have raised it to PG-13 in one or two cases.  And I do regret not getting the beat boxing on video.

We didn’t fix the entire world’s (or even all of Evergreen’s) problems but we made progress.  We looked at Evergreen issues and compared issues with specific installations.  We talked about big picture issues that affect the future of the community.  We groused, we pontificated and just shared opinions.  And we ate BBQ. 

We talk about community in open source a lot but when we talk abstractly it’s about faceless sources of email and git commits.  Events like this, even more than the conferences, bring home how human that community is.  I’m lucky in that I like these humans.  I like spending time with them and like working with them but it still makes for a very long week. 

I learned a lot of new things this year that I hope to put into practice over the next year and soon enough #hackaway15 will start it’s own planning process.